WHILE THE LAS VEGAS STRIP is household to a facsimile of Manhattan.

WHILE THE LAS VEGAS STRIP is household to a facsimile of Manhattan, a faux Paris, and an ersatz Venice, the avenue's newest addition, believe it or not, will be a real museum: the latest branch of the Solomon R Guggenheim. equal stranger, in a second jeopardy at the same site, the Guggenheim is partnering with the venerable State Hermitage Museum in Saint Petersburg Russia, to bring the likes of Cezanne, Picasso, and Kandinsky to the land of Wayne Newton, drive-through wedding chapels, and Elvis impersonators. "Although I could have scarcely imagined working in Las Vegas unruffled one year ago--my first visit to the city took place solely at the beginning of this year--the fascination of the place is undeniable," explains Thomas Kren the Guggenheim's director, who cites Robert Venturi's classic architectural panegyric Learning from Las Vegas as partial inspiration for the locale.

The Hermitage-Guggenheim Museum (in an effort to continue the partnership fair and square, half the signs there read "Guggenheim-Hermitage") is place to open this spring inside the 3000-room Venetian Resort-Hotel-Casino. The space is designed through none other than Rem Koolhaas, the Pritzker Prize--winning Dutch architect and Harvard professor who famously espouses the breaking down of barriers between high and gentle culture. (Other recent commissions include a plan hall in Portugal and Prada boutiques in San Francisco, just discovered York, and Beverly Hills.) Koolhaas's design for the museum's intimate exhibition spaces demands a pool 7,660 square feet from the Venetian. Walls of Cor-Ten steel--Richard Serra's medium of choice--provide a witty respect to both a postindustrialist aesthetic and the rich colors of the Hermitage's home galleries. The museum will expand with "Masterpieces from the Hermitage and Guggenheim Collections," which promises forty works from the late nineteenth and early twentieth centuries from Monet, Pissar ro, Chagall, Modigliani, and Picabia, among others. single hopes that visitors to the land of illusion will understand that these babies are the real thing.

This summer the inferior Koolhaas-designed space will open in the Venetian's complex: The Guggenheim Las Vegas, a 63,700-square-foot behemoth reminiscent of an airplane hangar, will feature spread airy galleries, seventy-foot ceilings, and a giant, six-story door wide enough to accommodate an eighteen-wheeler. Details include a "media wall" forward which images will be concocted and vast mechanical ceiling panels that, rumor has it, may be imprinted with reproductions of Michelangelo's Sistine Chapel frescoe Visitors might have afflict finding the Guggenheim Las Vegas, though: Gallery-goers must walk between the walls of the Venetian's lobby and past the casino, perhaps dropping a small in number coins along the way. When they finally arrive, there's a fair chance they'll mistake the museum for the nearby Harley-Davidson Cafe, at least at the beginning. The inaugural exhibition is the infamous "Art of the Motorcycle"--in a seemly setting at last.

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